jupitterlarsen:

Nov 27, 1995 In Toulouse France, one performer sat on the floor and rubbed a calculator against sandpaper. Another stood behind, using an electric drill mounted with a sanding wheel to wear away at the car tire the first had over his shoulder. Contact-mics were on both the calculator and the drill. Very noisy.
http://www.jupitter-larsen.com/

jupitterlarsen:

Nov 27, 1995 In Toulouse France, one performer sat on the floor and rubbed a calculator against sandpaper. Another stood behind, using an electric drill mounted with a sanding wheel to wear away at the car tire the first had over his shoulder. Contact-mics were on both the calculator and the drill. Very noisy.

(via cryism)

http://www.co-mag.net/2012/romina-shama-rachel-rom/

(via cryism)

scarymansion:

Lea Colombo

scarymansion:

Lea Colombo

(Quelle: aureat, via omyt)

andgallery:

A&GALLERY SHOP Harmony Korine, Pigxote, €21 Pigxote brings together 49 photographs from Harmony Korine’s private archive in order to reveal a side of the artist’s creative process that remains largely unexamined. The book further illustrates Korine’s interest in replacing plot lines and other narrative tropes with intuitively arranged experiential moments. (Also available at A&Gallery: Harmony Korine - Mr. Lonely)

andgallery:

A&GALLERY SHOP Harmony Korine, Pigxote, €21 Pigxote brings together 49 photographs from Harmony Korine’s private archive in order to reveal a side of the artist’s creative process that remains largely unexamined. The book further illustrates Korine’s interest in replacing plot lines and other narrative tropes with intuitively arranged experiential moments. (Also available at A&Gallery: Harmony Korine - Mr. Lonely)

(via some-velvet-morning)

grvd-noise:

VOMIR
No change, no development, no ideas, no remorse.

grvd-noise:

VOMIR
No change, no development, no ideas, no remorse.

grvd-noise:

VOMIR
No change, no development, no ideas, no remorse.

grvd-noise:

VOMIR
No change, no development, no ideas, no remorse.

grvd-noise:

VOMIR

No change, no development, no ideas, no remorse.

(via total-abuse)

laposhfuckery:

The Kooples  // Lookbook²

laposhfuckery:

The Kooples  // Lookbook²

(via var8)


UKG © Ewen Spencer

UKG © Ewen Spencer

(Quelle: quickweaves, via some-velvet-morning)

(Quelle: uuiuu, via lafcadiowluiki)

(Quelle: naprasno, via lafcadiowluiki)

(Quelle: morning-glories, via forfranzkafka)

(Quelle: gypsyastronaut, via forfranzkafka)

(Quelle: obeliskandmetronome, via total-abuse)

untergangsshow:

Einstürzende Neubauten at S.O. 36, Berlin, 1981/03/20
Photos by Norbert Bauer

untergangsshow:

Einstürzende Neubauten at S.O. 36, Berlin, 1981/03/20
Photos by Norbert Bauer

untergangsshow:

Einstürzende Neubauten at S.O. 36, Berlin, 1981/03/20
Photos by Norbert Bauer

untergangsshow:

Einstürzende Neubauten at S.O. 36, Berlin, 1981/03/20
Photos by Norbert Bauer

untergangsshow:

Einstürzende Neubauten at S.O. 36, Berlin, 1981/03/20
Photos by Norbert Bauer

untergangsshow:

Einstürzende Neubauten at S.O. 36, Berlin, 1981/03/20

Photos by Norbert Bauer

(via some-velvet-morning)


Eye movements made by subjects while examining I. E. Repin’s painting “An Unexpected Visitor”, with different questions in mind.

Eye movements made by subjects while examining I. E. Repin’s painting “An Unexpected Visitor”, with different questions in mind.

(Quelle: reinbeau, via uszy)